more from
Dear Life Records
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Standing Out On The Grass

by Joan Kelsey

supported by
James Champion
James Champion thumbnail
James Champion Headphones in, standing in the middle of my favorite field, I feel the sound of my heart beat like the quietest drum Favorite track: I Thought About the Rose.
mads
mads thumbnail
mads Music that is freeing and thoughtful; asking you to listen carefully. One of my all time favorite albums hands down. Favorite track: Pachomius.
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Standing Out On The Grass via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $12 USD or more 

     

  • Cassette + Digital Album

    Includes unlimited streaming of Standing Out On The Grass via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $12 USD or more 

     

1.
Alone 04:49
Raise the glass that overlooks the driveway, watch the house spill out on the yard. No one ever knows where a feeling comes from. Raise a hand, noticing the air move. Take it back, leave it on the ground. When you’re young you can’t know where your mind will go. I know you loved me, even though you couldn’t say it but it’s not enough to want to, something’s gotta draw it out. Shaking voice, pacing in the bedroom. How’d it get to measuring the miles? Then the sheriff caught you in his headlights running in your bathrobe on the shoulder. You know I loved you, even though I couldn’t say it but it’s not enough to want to, something’s gotta draw it out. Standing out on the grass, taking one last look, then you took the time to leave it all in order. Do I know enough now? I don’t want to leave it alone. I don't want to leave you alone.
2.
Dust 03:30
Suddenly you’d lived too long, standing in the sun blinking, dust on the neighbors lawn blowing out for miles. When all the sound was gone counting down for no reason, blood from the bathroom wall pooling on the tiles. I understand all the damage you caught. “Get on with it,” I’ve had the thought. Yellow jacket in the fort, marigold in the garden, cold apples in the fall, horses on the rise. When all was said and done, never cared for the seasons. Blood on the bathroom wall flowing from your eyes. I understand all the damage you caught. “Take it in hand,” I’ve had the thought.
3.
Pachomius 03:56
Then the mountain wood, the enemy, self immolates and blows its breath across the lake to the western shore, where I spend my days with the journals of John Woolman. The summer light falls through the haze, reminding me of something that I saw in May. By the county fair the dust was high when I saw Henry walking home. Always been one to look out for the unseeded. Face in the light and the eyes in the yard meeting. Call it to mind and I break down without warning. By the Trader Joe’s, the Rowan tree offers fruit of protection for all my thoughts, but it can’t intercede for the shoplifter when the manager calls the cops. In the desert I could find the Word on each stray piece of paper that I picked up. In the city I take walks just to throw out the time, impatient with life. Always been one to show up where I’m not needed. Face of the clock is the eye of the all-seeing. Blink of the eye, I’ll make time for it in the morning Oh, Pachomius, I need you here. Show me how to be giving when I ‘m alone. I apologise ‘cause I’ve never prayed with full faith to your Mother.
4.
Survivor 02:54 video
Light over our faces, blinking hard, hand on my heart out on the yard. Light on over the old garage. Lands so hard on the grass can almost hear it fall. Trying hard to hold it all at once, a childhood, I turned the radio on. Oh, Survivor! We sang along. You climbed up over the old stone wall. Leaning back in the car we took the corner hard.
5.
Hero 02:35
Hero, I look back. The living room we crawled around. Hero, I crawl back. The animal, the heart, the ground. Britta, I crawl back. The animal, the circus act. Britta, I call back. The living you, the animal, the ground. Making it up, making it up, the world we made together. The ground opened up, the ground opened up, the ground, the call, the heart, come back. The animal, the heart, the ground, come back. The living room we crawled around. Hero, I look back. Britta, I crawl back.
6.
Aiden 02:25
7.
By the oceanside, ossified and gray, entangled in the tide. Holding out the palm, taking in the rain in the early calm. It’s a lot to know, even more to say, what it meant at all. Frozen in the wood like a captive of the coast, statuary of a ghost. The warmth of a face and what went wrong, throw it all away, nothing lasts too long. On his hands and knees fighting with the stain, doing what he could. Bottom of the tub, chemicals and blood running down the drain. It’s a lot to know, even more to see, what a body does. Folds his daughter’s clothes, throws his own away, try to make some space. The warmth of a face and what went wrong, hard to look away, nothing lasts too long. The warmth of a face and what went wrong, throw it all away (out on the grass) hard to look away (taking the time) throw it all away (one last look) nothing lasts too long.
8.
Tulsi 01:45
Tulsi, rose, and lemonbalm steaming in the kitchen. Out of focus on the phone, trying hard to listen. Take the bag out, throw it away. Hang on, my fault, I walked away. I step to the door and right outside. “So tell me more, I think you’re right.” Tulsi, rose, and lemonbalm steaming in the kitchen. Take it walking, calling home. What was I gonna say? What was I gonna say?
9.
Running out of Mom and Dad’s holding up all the loot you had, looking at the photographs on the way back, and we laughed. We talked about it all, the action of their voices cutting through the upstairs hall like brutal warnings, those terrible stories that we all tried to deny. I remember sunrise mass, holy water on the knee-high grass, Father John and Freihofer's walking back under the conifers. Peace be with you all!, the pastures and the horses flooding from the neighbor’s stall. Time isn’t only those terrible stories that we all tried to survive.
10.
Driving out of sight again, took the corner hard as I thought about the rose in my family’s yard. Turn it on my tongue, turn it into rhyme, and I’ll sing it for them all in good time. Driving out of sight again, Fast around the bend, takes a lot to leave behind a friend. Holy Fathers far behind, holy land ahead, hold me now and ever among the dead.

about

When I've finished an album I often feel like the old Spanish churchgoer who tried to restore a beloved fresco but wound up with the infamous Monkey Christ.

In a time of tremendous difficulty I tried to make something life-affirming: grieving songs which look toward joy and "answer that of God in everyone," as George Fox said.

Plants dig into the underworld and bring back messages just like the mind digs into the body and brings back memories.

As for that time and the music that came from it, Kamryn Wolf lived through it alongside me. They've written about it below:

“1.

Grief can feel so impossible. After Britta killed herself, my grief felt like trying to juggle cement bricks while jumping backwards through a halo of fire. Only faith (itself an occasional impossibility) and a sturdy dose of magic could ever promise to get me through to the other side... and then the other side, and then the other side, because grief is always arriving. It rises with the morning sun and drinks moonshine with the stars. Though grief made a monument of my body, it barely made a noise in our home. It creeped around the chords fingerpicked on Joan’s guitar from behind closed doors and into the stillness of the living room. This infuriated me – the fact that grief was everywhere and yet absolutely unshareable. It was as ordinary as making a cup of tulsi tea and as extraordinary as blood on the bathroom tile.


2.

I read somewhere that a prayer is words for when words feel like too much, movement for when life gets stuck in the body. These songs, I think, are Joan’s prayers. Standing Out On The Grass invites you into their gentle world of mourning and surviving, a world remarkable for its lush melancholy and uncanny compassion. It may be hard to look away from the past, but Joan’s songs always manage to peel open unlikely vistas of emotion and glistening light. Even on the songs when they seem resigned to a familiar fate, their insistence upon life tumbles forward, their guitar galloping through the yards at sunrise. They take the family rose and turn it on their tongue, transforming unspeakable pain into something shareable, bearable, and so goddamn beautiful. Because there is a sense that the grief, the panic, the anger… they are all just currents in the pulsing stream of something larger – call it acceptance, or community, or love.
.

3.

Britta, may these songs greet you in heavenly flight and inspire flutterings of joy in your chest. May you feel us reaching for you across the horizon. On our tongues we taste your name like wildflower honey, golden for eternity. I promise you are safe in our love. I promise you will never be lost for you are here, in our breath and rhythm and memory deeper than bone. “

credits

released November 11, 2022

Tracks 1-3, 6, 8 & 9 mixed by Rick Spataro
Tracks 7 & 10 mixed, by Ben Roth
Tracks 4 & 5 mixed by Joan Kelsey
Produced by Joan Kelsey
except tracks. 1, 6, produced by Rick Spataro


Album art by John Desousa
Design and Layout by Alex Peterson
Inside Tree Photo by Joan
Photo of Joan by Morgan Dwyer

Alex Peterson: bass, guitars
Ben Roth: bass
Ben Seretan: lap steel
Clara Zornado: vocals
Connor Armbruster: violin
Dr. Jen Self: spoken word
Evan Marré: bass, vocals
Jeanine Ouderkirk: clarinet
Joan Kelsey: Vocals, guitars, piano, synths, wurlitzer, bass
Jonnie Baker: saxophone, synths
Josh Marré: guitars, lap steel
Lori Goldston: cello
Michael Cormier-O’Leary: drums
Rick Spataro: drums, bass, guitars, synths, wurlitzer
Sheridan Riley: drums

license

all rights reserved

tags

about

Joan Kelsey Seattle, Washington

shows

contact / help

Contact Joan Kelsey

Streaming and
Download help

Redeem code

Report this album or account

Joan Kelsey recommends:

If you like Joan Kelsey, you may also like: